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Tuesday May 04, 2010

This podcast was created for ANES 650: Top of the World by Camille M. Smalley. This podcast is Camille Smalley's interpretation of the sketches of Elisha Kent Kane's Second Grinnell Expedition of 1853, as they reflect, in her opinion, the continuum of masculinity in the early Victorian Period.
Bibliography:
Primary Sources:
Assistant Surgeon Elisha Kent Kane, USN (1820-1857)
Thomas Hicks, 1823-1890
oil on canvas
Naval Historical Center
The Music Lesson, 1870
John George Brown, 1831-1913)
oil on canvas
Metropolitan Museum of Art Collection
The Soaplocks, or Bowery Boys, 1847
watercolor on paper
Center for History and New Media

Arctic Region Exploration, 1850-1906
George Edwin Rines, 1911
United Editors, New York
University of South Florida Collection
Advance Near Kosoak, 1855
Elisha Kent Kane, 1820-1857
pencil on paper
National Maritime Museum Collection
The Advance Frozen in Ice at Renesselaer Harbor, 1856
Elisha Kent Kane, 1820-1857
pencil on paper
Linda Hall Library Collection
Kane’s Dogs Confront a Polar Bear, 1856
Elisha Kent Kane, 1820-1857
pencil on paper
Linda Hall Library Collection
Kane’s Funeral March, 1859
William H. Shuster
printed
American Philosophical Society Digital Collection
Secondary Sources:
Anthony, David. Paper Money Men: Commerce, Manhood, and the Sensational Public Sphere in Antebellum America. Columbus: The Ohio State Press, 2009.
Chapin, David. Exploring Other Worlds: Margaret Fox, Elisha Kent Kane, and the Antebellum Culture of Curiosity. Boston: University of Massachusetts Press, 2004.
Greenberg, Amy S. Manifest Manhood and the Antebellum American Empire. Cambridge: Cambridge University Press, 2005.
Potter, Russell A. Arctic Spectacles. Seattle: University of Washington Press, 2007.
Robinson, Michael F.The Coldest Crucible: Arctic Exploration and American Culture. Chicago: University of Chicago Press, 2006.
Thomson, Shawn. The Fortress of American Solitude: Robinson Crusoe and Antebellum Culture. Madison: Farleigh Dickinson University Press, 2009.

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